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Full Moon, by Michael Light, Andrew Chaikin
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The most thrilling of all journeys--the missions of the Apollo astronauts to the surface of the Moon and back--yielded 32,000 extraordinarily beautiful photographs, the record of a unique human achievement. Until recently, only a handful of these photographs had been released for publication; but now, for the first time, NASA has allowed a selection of the master negatives and transparencies to be scanned electronically, rendering the sharpest images of space that we have ever seen. Michael Light has woven 129 of these stunningly clear images into a single composite voyage, a narrative of breathtaking immediacy and authenticity that begins with the launch and is followed by a walk in space, an orbit of the Moon, a lunar landing and exploration, and a return to Earth with an orbit and splashdown.
���� Graced by five 45-inch-wide gatefolds that display the lunar landscape, from above the surface and at eye level, in unprecedented detail and clarity, Full Moon conveys on each page the excitement, disorientation, and awe that the astronauts themselves felt as they were shot into space and then as they explored an alien landscape and looked back at their home planet from hundreds of thousands of miles away.
Published on the thirtieth anniversary of Apollo 11--the first landing on the Moon--this remarkable and mesmerizing volume is, like the voyages it commemorates and re-creates, an experience both intimate and monumental.
- Sales Rank: #141342 in Books
- Published on: 1999-05-18
- Released on: 1999-05-18
- Original language: English
- Number of items: 1
- Dimensions: 11.67" h x 1.03" w x 11.71" l, 4.47 pounds
- Binding: Hardcover
- 236 pages
Amazon.com Review
In Full Moon, one of the best science photography books ever published, Michael Light presents a voyage in images to the Moon and back. Light took NASA's master negatives of photos taken by Apollo astronauts and scanned them electronically. The resulting pictures are so vivid they seem more clear than real life. Light orders the photos sequentially, selecting the most arresting images from each mission, to create a truly cinematic experience. In the first section, depicting blastoff, you can almost feel the violent shaking of the rocket as it strains to escape Earth's gravity. Then you see the quiet stillness of weightlessness, the astronauts' view down at a perfectly silent Earth, boundless oceans contrasting with bright white clouds. A spacewalk adds vertigo--the astronaut looks fragile and very alone as he floats outside his capsule far above his home planet. Then comes the waiting, as the long voyage toward the Moon continues.
As you watch the cratered surface get closer and closer, you have no sense of scale until you see the miniscule silver and gold lander dropping gently to land on the Moon. Leaving the cluttered interior of the capsule in bulky, awkward suits, the astronauts bring delicate tracings of color--gold on the lander; red, white, and blue on the spacesuits' flag patches--to this black-and-white world. Five huge gatefolds in this section give you indescribable views of the intricately scarred surface of the Moon.
You return to space for the reuniting of the lander and capsule, and a repetition of the tedious journey back home. Finally, you watch a chaotic splashdown in the riot of colors that is Earth.
A nice section in the back of the book explains each photo with a detailed caption, and an essay by author Andrew Chaikin (A Man on the Moon) adds more written context to this stunning visual experience. The book is printed on very high-quality paper, with matte black frames for the photos and a gorgeous, wordless cover. Every space fan should have a copy. --Therese Littleton
From School Library Journal
YA-A San Francisco artist and photographer has pulled together 129 stunning, black-and-white and color photographs from 32,000 previously unavailable pictures of the Apollo missions. He has lovingly put them together to form one continuous moon voyage. The photos, mostly taken by astronauts, show fiery, explosive liftoffs; gorgeous, striking earthscapes; astronauts floating by their single umbilical cords in space; hauntingly beautiful moon shots; and many alternate shots recognizably from the first moon landing. An essay and a section explaining when, where, and by whom all the photos were shot are included. A terrific addition for libraries that need tie-ins with science, photography, history, or creative curricula.
John Lawson, Fairfax County Public Library, VA
Copyright 2000 Reed Business Information, Inc.
From Library Journal
Light chooses 145 of the 32,000 photos taken by the Apollo astronauts; a 100,000-copy first printing.
Copyright 1999 Reed Business Information, Inc.
Most helpful customer reviews
11 of 11 people found the following review helpful.
Outstanding -- but, note, there are two editions
By A Customer
This is an outstanding coffee-table book. The photographs and double-truck fold-out pages of the lunar surface are stunning.
The effect that the compositor--that's really what Michael Light is here--is after is a little on the arty side, though. For instance, he strips out most, if not all, color on the Moon (which is notoriously difficult to reproduce--there's a good discussion of the problem on the Lunar Surface Journal online), leaving only back and white tonal ranges. That's not a complaint but rather a simple observation about the compositor's intent.
Also, the sequence of images is really taking you to and from the Moon, with little regard for the proper order of the various Apollo missions -- six in all (Apollos 11 thru 17, minus Apollo 13, which orbited but never landed) -- and their unique sets of photographs. But that works well here, I must admit. In this regard, it's LIKE a book version of the fantastic film, and now a Criterion Collection DVD, called For All Mankind (directed by Al Reinert).
Note that there are two editions of this book on Amazon. One is 11.7 square and the other is 8.5 square--or about 25 percent smaller. In a book like this, that's a significant difference. But is the larger trim worth twice the price? Well, that all depends on you. I think the larger book is better, but I've also bought the smaller book to give away as gifts, since I got an amazing deal on them--just under $10 in a bin somewhere. I did buy the original when it came out, and it remains one of my favorite books of photography and space.
3 of 8 people found the following review helpful.
Closer to Half Moon, I'm sorry to say...
By A Customer
As a lifelong "space cadet" (i.e., astronaut wannabe who never will), I looked forward to this book after reading about it in a recent New Yorker story about the renovated planetarium in NYC. I was somewhat disappointed, for several reasons: (1) several pictures were blurred (absolutely inexcusable for this kind of project, and incomprehensible with so many 1000s of pictures to choose from); (2) too much black space (i.e., empty black pages that - even allowing for the aesthetics of leaving a page blank so as to focus on a single picture - left me with the feeling of too much wasted space that could've been used for fabulous pictures; (3) not enough pictures we hadn't seen before, and too many we had; (4) too many moon detail shots that began to look like one another; (5) and digitization of many photos made them look artificial. Having said that, there were 3-4, maybe 5, absolutely stunning shots of the earth that just take your breath away (not the usual "Earthrise" ones - closer in). For those of you who love space photos, NASA has audio-visual units that sell copies to average citizens (of course, we HAVE paid for them already, in a manner of speaking, but they're wonderful for a personal collection). If you're in DC, you can just stop in at NASA HQ and peruse from a selection of 100s/1000s. I suspect other NASA facilities may do the same.
8 of 9 people found the following review helpful.
WE NEED TO GO BACK!
By chris romano
A beautiful and artful collection of some very amazing photographs from the Apollo missions. I was amazed by a lot of them...and before I closed the book, I felt the urge to call my Senator and demand our return to the moon.
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